Gainsborough Products Catalog

B-5000

GAINSBOROUGH COMPLETE MANUAL OF OIL PAINTING RESTORATION

An instruction manual necessary for the use of Gainsborough's products. 126 pp.

This is a "how to" text explaining the use of Gainsborough's products in the restoration of oil paintings. It includes procedures for cleaning, varnish and linoxyn removal, conditioning, canvas patching, lining, strip lining, consolidating loose paint, facing, filling in repaired tears, inpainting, and varnishing of oil paintings. There are also chapters on the use of ultraviolet light for inspection of artwork; restoration of picture frames, including cleaning, casting ornamental pieces and antiquing; technical tips and more. The illustrations throughout show techniques and procedures to be used as well as "before" and "after" views of paintings.

Important -- the information given in this text is not enough to qualify the reader as a professional restorer.

PC-11

NEUTRALIZER

Necessary for stopping the cleaning action of all of our oil painting cleaning and varnish removal products. Apply liberally to remove all cleaning solvent residue. Can be used to dilute the strength of Gainsborough's cleaners, varnish removers, Linoxyn Remover and Lining Compound Remover.

Also available through Lion Picture Framing Supplies Ltd in the UK

EMULSION CLEANER

PC-27

For removal of household dirt, tobacco smoke, and coal smoke from oil paintings. Use PC-11 Neutralizer to stop the cleaning action.

Also available through Lion Picture Framing Supplies Ltd in the UK

PC-34

SUPER EMULSION CLEANER

For removal of heavy dirt and smoke film from oil paintings. May not remove some plastic smoke films. Use PC-11 Neutralizer to stop the cleaning action.

KK-1

KOTTON KLENSER™

An aggressive cleaner for removal of stubborn dirt and smoke from oil paintings. Can also be used to clean picture frames and wood Use PC-11 Neutralizer to stop the cleaning action.

VP-1

VULPEX SPIRIT CLEANER

This Vulpex and spirit solution attacks and emulsifies dirt, fats, fatty oils, mineral oils, waxes and hydrocarbons from oil paintings. Use PC-11 Neutralizer to stop the cleaning action.

PC-89

LINING COMPOUND REMOVER

For removal of excess PC-1035 Lining Compound and PC-1034 Facing Compound from an oil painting's surface after lining and/or facing. (PC-11 Neutralizer is recommended instead of PC-89 for more recently painted works, sensitive paint surfaces, or when patching.)

Also available through Lion Picture Framing Supplies Ltd in the UK

PC-123

VARNISH REMOVER

For removal of aged damar varnish, and some mastic or copal varnishes from oil paintings. Use PC-11 Neutralizer to stop the cleaning action.

PC-127

VARNISH SOFTENER

For the softening and removal of aged varnish films. After varnish has softened, remove with PC-123 Varnish Remover. Use PC-11 Neutralizer to stop the cleaning action.

PC-151

MASTIC VARNISH REMOVER

For removal of aged mastic varnish. Use PC-11 Neutralizer to stop the cleaning action.

PC-211

LINOXYN REMOVER

For removal of aged linoxyn films (linseed oil) from oil paintings. Use Linoxyn Remover with utmost care to avoid softening and removing paint. Use PC-11 Neutralizer to stop the cleaning action.

PC-1021

CONDITIONER, Low Odor

For reconditioning dried and brittle canvas on old oil paintings. Do not line or patch painting for two weeks after use to ensure good adhesion. Do not use on newly inpainted or varnished paintings. Use PC-11 Neutralizer to remove any excess Conditioner.

Replaces PC-1020 Conditioner

PC-1030

DAMAR GLOSS VARNISH

Fine quality natural damar gloss varnish used to protect oil paintings from the elements and bring out the true colors of the pigments. Apply with a 2" high quality varnish brush. Can be thinned with artist's gum turpentine to make a retouch varnish.

FV-1

GLOSS FINISHING VARNISH

A synthetic conservation gloss varnish for oil paintings. Colorless and reversible. Apply with a 2" high quality varnish brush or an airbrush. Can be thinned with VM&P naphtha (or artist's mineral spirits if VM&P naphtha is unavailable) to make a retouch varnish.

MV-1

MATTE VARNISH

A synthetic conservation matte varnish for oil paintings. Colorless and reversible. Apply with a 2" high quality varnish brush or an airbrush. Can be thinned with VM&P naphtha (or artist's mineral spirits if VM&P naphtha is unavailable) to make a retouch varnish.

SGV-1

SEMI-GLOSS VARNISH

A synthetic conservation semi-gloss varnish for oil paintings. Colorless and reversible. Apply with a 2" high quality varnish brush or an airbrush. Can be thinned with VM&P naphtha (or artist's mineral spirits if VM&P naphtha is unavailable) to make a retouch varnish.

PC-1034

FACING COMPOUND

(Pre-mixed wax-resin/iron-on type)
For use in facing: Adhering the front of an oil painting to canvas. Reversible by using heat. A good facing method to use when lining a painting to a new canvas with PC-1035 Lining Compound. Must be melted slowly at low heat (approx. 200°F/warm setting) in an electric frying or melting pot.

PC-1035

LINING COMPOUND: CONSERVATION LINING WAX

(Pre-mixed wax-resin/iron-on type)
Finest quality wax/resin adhesive used in the traditional method of lining (adhering) an old oil painting to a new canvas. Reversible by using heat. Suggested for lining when painting is flaking and shows bare canvas, has cracks that will soon lose paint, has multiple holes or tears, and/or has weak original canvas which needs a new support. Also used for adhering a linen patch to repair a torn canvas. Must be melted slowly at low heat (approx. 200°F/warm setting) in an electric frying or melting pot. Remove excess Lining Compound with PC-89 Lining Compound Remover. (Approximately 0.035 oz. of Lining Compound needed per square inch with M-4011 canvas. One pound covers an area of approximately 21" x 21".)

PC-1111

PICTURE REPAIR PUTTY

For use in filling areas of missing paint, and repaired tears and holes in oil paintings to prepare the surface for inpainting. Can be mixed with oil paint to add color, and sanded or textured to match painting's surface.

Also available through Lion Picture Framing Supplies Ltd in the UK

PK-1

PATCHING KIT FOR OIL PAINTINGS

For use in repairing tears or punctures in oil paintings. Consolidates loosened paint. 12" x 14" M-4015-IB Linen Patching Material, ¼ lb. PC-1035 Lining Compound, and instructions.

PK-2

COMPLETE PATCHING KIT FOR OIL PAINTINGS

For use in repairing tears or punctures in oil paintings. Consolidates loosened paint. 12" x 14" M-4015-IB Linen Patching Material, ¼ lb. PC-1035 Lining Compound, 1 fl. oz. PC-11 Neutralizer, 1 fl. oz. PC-1111 Picture Repair Putty, and instructions.

Also available through Lion Picture Framing Supplies Ltd in the UK

PK-3

NON-PENETRATING PATCHING KIT FOR OIL PAINTINGS

For use in repairing tears in oil paintings that can be closed to within 1/8" or less, and which do not require consolidation of loose paint. Not suitable for open holes. 12" x 14" M-4015-IB Linen Patching Material, 12" x 13" BEVA® 371 Film 2.5 mil, 1 fl. oz. PC-1111 Picture Repair Putty, and instructions.

Also available through Lion Picture Framing Supplies Ltd in the UK

M-4011-60
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COTTON LINING CANVAS, 60", 11.5 oz.

11.5 oz. heavy weight, close weave, cream tone, unsized cotton canvas used for lining oil paintings.

M-4011-72
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COTTON LINING CANVAS, 72", 11.5 oz.

11.5 oz. heavy weight, close weave, cream tone, unsized cotton canvas used for lining oil paintings.

M-4014-86
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BELGIAN LOOMSTATE LINEN LINING CANVAS, 86", 7.5 oz.

7.5 oz. medium weight, open weave, gray tone Belgian loomstate linen canvas used for lining oil paintings.

LINEN PATCHING MATERIAL, 12" x 14"

6 oz. light weight, close weave, high thread count, gray tone linen used for patching oil paintings.

Adhere with Lining Compound, BEVA® 371 Film or BEVA® 371 Solution.

IRISH LINEN LINING CANVAS, 57", 6.6 oz.

6.6 oz. light weight, medium weave, gray tone, Irish linen canvas used for lining oil paintings.

M-4024

SCALPEL HANDLE WITH BLADE

Use for gentle and precise scraping and trimming. Stainless steel scalpel handle with precision carbon steel blade.

M-4025

CARBON STEEL REPLACEMENT BLADE

Ultra-sharp precision carbon steel blade fits into the M-4024 scalpel handle.

M-4026

STAINLESS STEEL REPLACEMENT BLADE

Corrosion resistant stainless steel blade fits into the M-4024 scalpel handle.

M-4027

SWABS, STANDARD COTTON TIP

Package of 100 standard tip cotton swabs with 6" white birch handle used for cleaning and varnish removal. Cotton tip diameter: 0.188" (4.78 mm). Made in USA.

M-4028

SWABS, LARGE COTTON TIP

Package of 100 large tip cotton swabs with 6" white birch handle used for cleaning and varnish removal. Cotton tip diameter: 0.234" (5.94 mm). Made in USA.

M-4029

SWABS, JUMBO COTTON TIP

Package of 50 jumbo tip cotton swabs with 8" paper handle used for cleaning and varnish removal. Cotton tip diameter: 0.5" (12.7 mm). Made in USA.

M-4003

COTTON ROLL

High quality, non-surgical bleached cotton for use in restoration work. Use to apply PC-11 Neutralizer and to create a larger cotton tip swab to clean large sections of an oil painting.

COTTON RAGS

Double-washed white 100% cotton rags for use in restoration work.

Half-pound bag. Various sizes.

M-4030-275

TEMPILSTIK™ HIGH HEAT - 275° F/135° C

Reusable, wax-based temperature indicator. Use to calibrate lining iron maximum temperature setting when lining with PC-1035 Lining Compound to prevent overheating oil painting during lining.

M-4030-150

TEMPILSTIK™ LOW HEAT - 150° F/66° C

Reusable, wax-based temperature indicator. Use to calibrate lining iron and/or heat table for ideal temperature when using Beva® 371 Solution or Beva® 371 Film. Also use to calibrate lining iron low temperature setting when lining with PC-1035 Lining Compound.

M-4110

ARTIST'S VARNISH BRUSH

2" wide fine ox hair varnish brush tapered to a straight edge with a seamless nickel plated ferrule. Applies a smooth, thin coat of picture varnish to an oil painting.

Hand crafted in Germany.

Variations in handle finish are normal.

M-4190

SQUEEZE BOTTLE FOR NEUTRALIZER

Plastic squeeze bottle for convenient application of Gainsborough PC-11 Neutralizer during cleaning and varnish removal. Capacity: 16 fl oz.

The bottle comes with a PC-11 Neutralizer label applied. The label can be left off on request.

GGL-506

SAFETY GOGGLES WITH UV PROTECTION

Splash, impact and anti-fog safety goggles with UV protection. Four indirect vents and clear polycarbonate lens with anti-fog coating helps minimize fogging. Lightweight design with flexible transparent green PVC frame and neoprene headband which fits comfortably over most prescription glasses. Unisex design fits most.

GLS-312

SAFETY GLASSES WITH UV PROTECTION

Impact and scratch resistant safety glasses with UV protection. Clear polycarbonate lens with hardcoat coating. Cushioned adjustable temple length provides for a good fit over most prescription glasses. Clear wraparound uni-lens design with side shields. Unisex design fits most.

GLOVES, MULTI-USE DISPOSABLE CHLOROPRENE-NITRILE, SMALL SIZE (6½-7), 1 PAIR

GLOVES, MULTI-USE DISPOSABLE CHLOROPRENE-NITRILE, SMALL SIZE (6½-7), BOX OF 50

GLOVES, MULTI-USE DISPOSABLE CHLOROPRENE-NITRILE, MEDIUM SIZE (7½-8), 1 PAIR

GLOVES, MULTI-USE DISPOSABLE CHLOROPRENE-NITRILE, MEDIUM SIZE (7½-8), BOX OF 50

GLOVES, MULTI-USE DISPOSABLE CHLOROPRENE-NITRILE, LARGE SIZE (8½-9), 1 PAIR

GLOVES, MULTI-USE DISPOSABLE CHLOROPRENE-NITRILE, LARGE SIZE (8½-9), BOX OF 50

GLOVES, MULTI-USE DISPOSABLE CHLOROPRENE-NITRILE, X-LARGE SIZE (9½-10), 1 PAIR

GLOVES, MULTI-USE DISPOSABLE CHLOROPRENE-NITRILE, X-LARGE SIZE (9½-10), BOX OF 50

GLOVES, MULTI-USE DISPOSABLE CHLOROPRENE-NITRILE, XX-LARGE SIZE (10½-11), 1 PAIR

GLOVES, MULTI-USE DISPOSABLE CHLOROPRENE-NITRILE, XX-LARGE SIZE (10½-11), BOX OF 50

COLD GOLD FRAME GLAZE

PC-1050
(Click image to enlarge.)

A raw umber frame glaze.

Also available through Lion Picture Framing Supplies Ltd in the UK

PC-1051
(Click image to enlarge.)

WARM GOLD FRAME GLAZE

A burnt umber frame glaze.

Also available through Lion Picture Framing Supplies Ltd in the UK

PC-1052
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WALNUT FRAME GLAZE

A frame glaze made with a blend of raw umber and burnt umber.

Also available through Lion Picture Framing Supplies Ltd in the UK

BV-371-SOL-Q

BEVA® 371 SOLUTION, quart

BEVA® 371 FILM, 2.5 mil, 27" x 1 yd.

BV-TEX-Y
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BEVA® TEX ADHESIVE POLYESTER FABRIC, 27" x 1 yd.

A non-woven adhesive polyester fabric/tissue, coated on one side with 1.0 mil BEVA® 371 adhesive. Designed for conservation of paintings, paper and fabric. Heat activated. Reversible.

BEVA® GEL, quart

SC-FLM-62x27

SILICONE-COATED POLYESTER FILM, 1.5 mil, COATED ON BOTH SIDES, 62" x 27"

WET STRENGTH FACING TISSUE, 54", FOLDED

A polyester and rayon facing tissue used for temporary reinforcement of the face of a flaking painting. This facing tissue maintains its strength when wet and becomes translucent when wet.

UV STABLE FINISHING VARNISH (GLOSS), quart

An ultraviolet-stable, gloss finish, colorless and reversible synthetic varnish made from Regalrez hydrocarbon resin. Supplied with UV stabilizing drops to be added at time of use. Can be mixed with BV-MV-UV-Q, UV Stable Matte Varnish to provide a semi-gloss finish. Apply with a 2-inch high quality varnish brush or with an airbrush.

UV STABLE MATTE VARNISH, quart

An ultraviolet-stable, matte finish, colorless and reversible synthetic varnish made from Regalrez hydrocarbon resin. Supplied with UV stabilizing drops to be added at time of use. Can be mixed with BV-FV-UV-Q, UV Stable Finishing Varnish to provide a semi-gloss finish. Apply with a 2-inch high quality varnish brush or with an airbrush.

UVL-56

6 WATT HAND HELD 365 nm UV LAMP

The UVL-56 offers unsurpassed performance for daily use. This 6-watt UV lamp delivers a strong ultraviolet radiance at 365 nanometers, enabling detection of even the smallest traces of overpainting. The UVL-56 delivers an ultraviolet beam virtually free of visible light due to its unique quartz filter. The wide flood pattern makes it easy to see subtle changes over the whole area of the painting. This hand-held model can be run safely off any 115 volt, 60 Hz. power outlet.

• One 6-watt bulb.
• Quartz filter covering bulb.
• 365 nm longwave UV light.
• Easy to grip handle. Solid, comfortable hold.
• Convenient thumb operation of on/off switch.
• Cycolac unbreakable housing.
• Easy, safe operation. UL rated.
• Light weight: 2 lb.
• Size: 14.9L x 3.2W x 2.5H in.
• Replacement bulb and filter are available.

UVL-4P

365-400 nm UV LED LAMP, CR123A BATTERY OPERATED

This pocket-sized battery powered light emitting diode (LED) UV lamp offers 365-400 nm longwave ultraviolet light for strong UV flood illumination.

This unit does not include a white light flashlight feature.

• Five high powered 365-400 nm UV LED bulbs for strong long-wave UV light output.
• Convenient push-button activation.
• High and low power modes.
• Durable, water-resistant and impact-resistant.
• Precision machined aluminum case with stainless steel head.
• Requires two CR123A lithium batteries (included).
• Portable, light weight: less than 4 oz. with batteries.
• Size: 4 7/8 in. length x 7/8 in. diameter.

J-129

STAND FOR UVL-56 ULTRAVIOLET LAMP

The J-129 enables hands-free operation of the UVL-56 lamp for inspection of small objects or curing adhesive.

The dimensions of the stand are 9.5" high x 12.5" long x 6" wide.

The UVL-56 lamp is not included with the J-129 stand.

REPLACEMENT BULB, UVL-56

UVL-56 uses one bulb.